Fatima grew up under her strong father, Thami, which made her devoid of feminine qualities and distinguished herself by her strength and determination in overcoming life's difficulties. After she began working with her father in the scrap market known for being controlled by men, Fatima entered into serious problems and conflicts to prove herself and protect the family legacy.
A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.
On 11 June 1986, one day after Morocco wrote football world cup history by scoring a surprising victory over Portugal, government official Daoud is ordered to secure a bridge outside Casablanca that sits between two hostile communities over an empty highway. Here, he is to await the expected but by no means certain visit of King Hassan II. Encounters with government supporters and the families of political prisoners; the mysterious appearance of a foreign woman and a Berber, as well as the story of a football crazy boy all prove to be a bit much for Daoud. Ever since the bloody ‘bread riots’ five years earlier, he has felt paralysed. But the euphoria and the hope he encounters here help to lift his mood. The Moroccan team’s success unleashes a new self-confidence and lust for life that transcends the surreal shadow of the monarchy.
The horrible, terrible, unpleasant, insurmountable day of Daoud who has to cross Casablanca to get to an important meeting on a day of Zemzem and cab strike while his own car is stuck in the garage...
The protagonist is obsessed with the 1982 film Disco Dancer that his now deceased projectionist father showed him when he was a kid, a film that, his father said, contains the answers to all questions. Jimmy adopts the name and dress of its hero, his bedroom is an altar to Bollywood and disco, he lives in a state of arrested development that starts and stops with Disco Dancer. Of course, he is in love with Mouna, the dream girl who lives on the other side of the tracks, and whose bourgeois demeanor rubs up his pal, Houda, the wrong way. In order to get to her, the dazzled thirty-year old dreamer decides to shoot a remake of Dirty Dancer with a “borrowed” IPhone, in the slums. The destruction of the latter is imminent, under the harsh command of a cruel villain: Barkour.
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