Ivalu is gone. Her little sister is desperate to find her and her father does not care. The vast Greenlandic nature holds secrets. Where is Ivalu?
Foreign Minister Birgitte Nyborg finds her career in jeopardy when a dispute over oil in Greenland threatens to become an international crisis.
In Greenland, a climate meeting for the Arctic Council is in the process of agreeing on a new and historic climate agreement that prohibits all environmentally harmful oil drilling in the area when the political advisor to Sweden's Foreign Minister Elsa suddenly disappears during a visit to a research vessel.
The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.
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