Everyone's in shock when esteemed doctor Pierre is found to have killed his wife. 15 years later, released on parole and determined to find the culprit, he is rejected by his sons and only finds support with his daughter, Nina.
A housewife, wife of an influential businessman, vanishes. Her neighbor decides to investigate.
In Hanoi, a French couple who had come to adopt a baby met Maï, an old woman who had a love affair with a French officer in 1945. She tells how, sent by de Gaulle to restore order, Leclerc negotiates with Ho Chi Minh, against the advice of d'Argenlieu, the high commissioner.
After Polish-born writer-director Janusz Mrozowski, a French resident for the past 30 years, made a series of 30-minute films based on African writings, he was approached by Africans to do a cinematic survey of past events in African history. Filming in Burkina Faso, Mrozowski responded with this comedy about a dictator kidnapped from the present-day and taken back through the mists of time. There he meets the mother of humanity, Lucy, who teaches him the basics of sexual equality. By the time he returns to the present, he's also received an education in 16th-century slave-trading and European influences on Africa.
Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.
The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.
In 1929, Mr. Messier, owner of a small print shop in a village in Quebec became a widower, he lives with his two children, Rachel, 9 years old, and Gaëtan, 7 years old. In this closed universe and in the absence of their mother, a great complicity is established between the children.
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