To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.
Bodil Kjer (2 September 1917 – 1 February 2003) was a Danish actress whose talent and charisma earned her status as a Primadonna and the title of first lady of Danish theater. Kjer's leading roles reflect the span of Denmark's modern cinema: such as the artistic maturity of the war-torn 1940s in Jenny and the Soldier, the light-hearted romance of the 1950s and 1960s in Mød mig på Cassiopeia, the action drama of the 1970s in Strømer, and the modern epic tale in Babette's Feast (1987). Denmark's highest film prize, the Bodil Awards, were named in honor of Kjer and Bodil Ipsen. Kjer twice received her namesake award for Best Actress (1948, 1952) and once for Best Supporting Actress (1977). In 1997, she accepted an honorary Bodil for lifetime achievement.
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