A group of cold case investigators stay at the Carmichael Manor, site of the grisly and unsolved murders of the Carmichael family back in the eighties. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.
237 years after mankind's extinction, an android longs for a past it can never experience.
There’s a madman loose in New York City. Late at night, he stalks the streets looking for straight white men to punish. When he finds them, he kills them in unspeakable ways.
Ollie is sent back in time to prevent the creation of robots who destroyed his world. But when he gets to 2015 and meets Anna Rubinson, the inventor of the robots, the mission becomes more complicated.
In part two of our series, Bobby faces a bounty on his head on a dark and lonely night.
A new hire at an office job begins to spiral into insanity after he is tasked with uncovering the purpose of a mysterious and otherworldly machine.
Cayla Berejikian is a New York-based actress, writer, and teaching artist. She trained as an actor at the Lee Strasberg Theatre and Film Institute and Stonestreet Studios while attending New York University, where she also studied psychology and film production. She have also trained at The Barrow Group and HB Studio. Since late 2021, she has accrued screen acting credits on a variety of independent projects and three feature films. She began writing for the stage in 2018. Since then, she have written and directed several original plays for festivals in New York City. As a growing artist, she strives to maintain a playful and curious attitude in all areas of life. This philosophy influences her work as a teaching artist. She has created, modified, and implemented drama and screen-acting curricula for children of all ages. Rather than solely emphasising craft or technique, she also focus on developing each child's creative intuition. Her goal is to help young people strengthen their natural curiosity and build trust in themselves.
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