15 years ago, a man murdered the alleged rapist of his daughter. After his release, it turns out that he shot the wrong man. Against the resistance of his family, he sets out again on the hunt for the culprit.
In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.
Two couples and their children go on an excursion into the forest. They are young, successful and well-set parts in today's social-political establishment. When their children disappear in a storm, the entire construct of their friendship starts to crumble. Very soon, their bourgeoisie façade falls and the four turn into the profile of a lost culture. What follows is an odyssey through the forests that turns more and more into a journey into the metaphysical. The story is told in fragments and out of chronological order. The forest and the film imagery act as a poetic expression of the inner mind, creating the metaphorical psychogram of a lost cul-ture that desperately looking for a way out and a future. It is a poetic portrait of today's society.
A rock star general bent on winning the “impossible” war in Afghanistan takes us inside the complex machinery of modern war. Inspired by the true story of General Stanley McChrystal.
Catrin wants to know it again: With over 40 she dared to jump back to the University of Marburg. The married mother wants to finish her medical studies, which she stopped many years ago because of her pregnancy. The classmates on campus are relaxed in the age of their children. Her husband Frank feels left sitting in Berlin. And after a fierce flirtation with an attractive student, her marriage is finally in crisis. Nevertheless, Catrin is determined to make her dream come true. Better late than never.
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