Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.
Mother and daughter are going to a funeral. The mother is taking away the coal furnace for scrap that day, and the daughter is wearing brown tights. The stove turns out to be heavy and tights inadequate for the ceremony.
Bartek lives in a village in the Podhale region, where he runs a small farm and takes care of his lonely and possessive mother. One day he meets Dawid, a slightly older man who comes to visit his family after many years of absence. Affection quickly develops between the two, followed by desire that Bartek suppressed for years.
A Warsaw prosecutor's hopes rise when a body is found and linked to his sister's disappearance 25 years earlier.
Maciek (35), tricked by his boss, steals his boss's car and goes on a desperate joyride across. He drives across the interior of Poland, where people are preparing for a celebration of an unspecified anniversary. In the meanwhile, Magda (35), a Town Hall employee in charge of the anniversary events, Highly committed at first, gradually notices all the dirt and corruption around her. At some point, she must choose between her career and integrity, whether she should accept it or risk her career and leave. Finally, on the celebration day, Maciek and Magda finally meet. Will it change anything for them?
Two very similar teenagers discover that they are sisters. They were separated in the hospital and went to live with two different families.
A bright, young officer joins General Police Headquarters to investigate one of its lead inspectors and the criminal cases he's working on.
Tato is the story of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than let the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it’s easier to be a real man than it is to be a real father.
Poland's submission for the Academy Award for Best Foreign Language Film in 1992
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