The day after their first night in the forest, a small group of aspiring instructors wake up to find their two mentors missing. Jokes quickly give way to panic, then the lack of survival skills, hunger, thirst and fatigue get the better of the teenagers. They then realize that in an extreme context, each individual has the potential to turn into a monster.
An intimate portrait of a young woman, Sophie, diagnosed with a chronic and incurable disease that turns her world upside down.
In 1910, Maria Chapdelaine, a young girl of seventeen, lived with her family on the banks of the Péribonka River, north of Lake Saint-Jean. The Chapdelaines work tirelessly to push the limits of the forest. In a home where even physical exhaustion cannot dampen the warmth of family life, Maria, strong and full of hope, finds herself faced with major dilemmas. Thrust into the world of adults, Maria will suddenly be forced to decide on her future as a woman.
Immersed in a world halfway between reality and a dream, Agnes will have to confront her mourning.
Matthieu is a 33 year old Parisian who finds out that the father he never knew has died and decides to go to his funeral in order to meet his two siblings in Quebec. But once in Montréal, he realizes that nobody is aware of his existence or even interested in it. He is alone, in hostile territory…
Béatrice Clément is a 48-year-old emergency room doctor. She is pretty, charming and at the top of her professional game. The only problem is, Béatrice hasn’t been feeling well. Having undergone every test available without any conclusive results, she is at the end of her rope. Finally, she overcomes her skepticism and agrees to visit a psychologist. Dr. P is gentle, attentive and compassionate. Despite Béatrice’s initial resistance, he slowly but surely gains her trust. Every week, Béatrice is confronted with patients who remind her of her own personal struggles. It is becoming clear that although she is fully in control of the ER, her private life is another matter entirely. In her drive for constant perfection and control, she is faced with comical and embarrassing situations, but also painful ones.
Gaby owns a farm on which he raises lambs: Bouchard & Sons Farm. But he has no sons. Rather, he has two daughters that he raised like princesses and who live far away, in the big city. One day, the oldest asks him for some financial support so she doesn't end up losing her house...
A woman who only has a couple of months left to live decides to go on a final journey, crossing several countries.
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn't seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who's about 10 or 12, tries to break through his father's silence and sorrow by taking matters into his own hands.
In the dead of a cold Montreal winter, lonely, recently divorced Robert Filion learns his father has died in Florida. Robert and his son Maxime, travel to Florida for the funeral and then set out from Dixie with his late father's car for the return trip to Montreal.
Gabriel Arcand (born June 4, 1949) is a French Canadian actor. He is the brother of film director Denys Arcand. He won the Academy of Canadian Cinema and Television's award for Best Actor at the 6th Genie Awards in 1985 for his performance in Le Crime d'Ovide Plouffe and at the 2nd Canadian Screen Awards in 2014 for Le Démantèlement, and the award for Best Supporting Actor at the 8th Genie Awards in 1987 for Decline of the American Empire. He was also nominated for Best Actor at the 3rd Genie Awards in 1982 for Les Plouffe and at the 20th Genie Awards for Post Mortem, and for Best Supporting Actor at the 2nd Genie Awards in 1981 for Suzanne and at the 20th Genie Awards in 1999 for Le Grand serpent du monde.
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