Robert A. Burns, art director on the original Texas Chain Saw Massacre, was obsessed with actor Rondo Hatton aka the Creeper. Burns was average looking but brimming with odd creativity. Hatton, who suffered from acromegaly, had a strangely unique appearance, but was a regular guy. In Rondo and Bob their two stories intersect.
A Texas Ranger poses as a bad-ass biker outlaw and enlists a blind sniper and his seeing-eye coyote to crush a biker gang that took over her county.
Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this
A bumbling young film crew, shooting a low-budget horror movie in an abandoned orphanage, discovers that a family of sadistic killers has rewritten their script.
Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.
A young couple become stranded in the woods where they encounter a werewolf and a house of horrors.
After a devastating urban wildfire kills her boss, auditor Mercedes Lara must fight to expose a corrupt city government that fronts for an international criminal enterprise. The mystery is unraveled with found footage from a wide variety of sources.
A tough street kid from the L.A. barrios is discovered during an examination to have stomach tumors. During his hospitalization, he must learn to cope with not only his medical condition, but with people such as other patients, social workers and hospital personnel who come from a totally different world than he does--and they have to learn to cope with him.
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