An American director, hired by German television to make a film about 9/11, re-stages a controversial photograph taken along the Brooklyn waterfront soon after the collapse of the World Trade Center.
"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.
A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.
In 1984, a massive fire destroyed the entire 17-year output of an exploitation movie studio. But the recent discovery of eleven lost trailers sheds a light on this disrespected, long-forgotten B-movie factory, and the mogul at its center.
Glenn Kenny is an American film critic and journalist. He writes for The New York Times and RogerEbert.com.
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