Over the years, Nicole Kidman, Oscar and two-time Emmy Award winner, became both a pop culture icon & a complex dramatic actress. Her career is a unique body of work that mirrors her personal life, which is more political than it might seem.
Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.
A young actor arrives in Hollywood in 1969 during a transitional time in the Industry.
On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.
Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
Gus Green Van Sant, Jr. (born July 24, 1952) is an American director, screenwriter, painter, photographer, musician, and author. He was nominated for an Academy Award for Achievement in Directing for his 1997 film Good Will Hunting and his 2008 film Milk, and won the Palme d'Or at the 2003 Cannes Film Festival for his film Elephant. He lives in Portland, Oregon. His early career was devoted to directing television commercials in the Pacific Northwest. In his films, he has dealt with themes concerning homosexuality and other marginalized subcultures. His filmography as writer and director includes an adaptation of Tom Robbins' novel Even Cowgirls Get the Blues, which features a diverse cast (Keanu Reeves, Roseanne Barr, Uma Thurman, and k.d. lang, with cameos by William S. Burroughs and Heather Graham, among others); and My Own Private Idaho, also starring Reeves as well as River Phoenix. He wrote the screenplays for most of his early movies, and wrote one novel, Pink. A book of his photography has also been published, called 108 Portraits.
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