A large Iranian competition in the field of interior design and home decoration with the aim of supporting businesses and improving the level of knowledge of the society in the field of interior decoration and...
The teletheater series "Katb Azam" is an adaptation of the book "Confessions of a Killed Scribe" written by Sasan Natiq from Surah Mehr Publications, which has an Ashura story and narrates the events of the evening until the night of Ashura.
A teenage girl gets involved in the process of delivering a pack of cocaine to its client, and gets stuck in a weird cycle of occurrences.
A recently married young couple unknowingly , spending their honey moon in a villa with history of paranormal activities in a secluded , remote area out of town . They invite some of friends to enjoy the festivities . While there , the group experiences and witness bizarre paranormal behavior
A just married couple travels to north of Iran to stay in a villa for their honeymoon. The fearful tales behind the villa, gets them involved in an adventure, they did not ask for.
Due to the closure of the factory and following his ambitions, a young man falls into the trap of cooperating with a criminal group and confronts his wife during a bank robbery. His young wife recognizes him and at the same time as the members of the criminal group become suspicious of their behavior, incidents occur
Roya is a resourceful young woman who is juggling with loans to pay back a large debt. With her gift of the gab and her determination to fight her way out, she finds herself at the top of a small ponzi scheme that promises to be lucrative, but very soon the mechanism seizes up and a sense of control gives way to anxiety. With a sense of narrative sequencing akin to his senior, Jafar Panahi (The Circle, Blood and Gold), Mahmoud Ghaffari portrays a protagonist hemmed in by a double straightjacket, one where social and gender inequality are inextricably intertwined. His character is neither a heroine nor the passive victim of a crushing system but warrior-like yet evanescent. Arguably, this determination, which draws its energy from despair, can be seen as an obligation incumbent on any filmmaker practising their art in today’s Iran: the obligation to fight up to the point where one’s very absence leaves a void full of meaning.
The problems and struggles of daily life create distance between Nima and Sarah. The two have no hope of a relationship and are trying to divorce, but an accident with a child, Mehran, changes their lives.
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