Sofiane, the son of a former Algerian diplomat, has travelled a lot. Having moved to Lyon for his studies, he is the victim of an administrative decision and lives under constant threat of deportation. In the hope of regularising his situation, he agrees to work for a Muslim funeral parlour. Between parties, encounters and his job, Sofiane finds himself on a journey of initiation that will lead him to build his own identity and gradually move towards adulthood.
In 2043, Melissa, a young eco-worker, sails the Mediterranean Sea on her smart boat the Rainbow, with her trained dog Cham. As she collects mass of drifting plastic waste, she sorts and trades this material on the global recycling market. One day, she saves a baby monkey from drowning, and takes him on the boat. This encounter will change the path of her life.
See You Garbage! is a dramatic comedy that resembles a revolutionary tale. An attempt to explore the encounter between the well-coated contempt of the political class and a sudden awareness of its people.
Frankie Wallach, 25-year-old director, is fascinated by her grand-mother Julia, 94 years old, her death camp survivor story and her joyful personality. She wants to immortalize her as an heroine of fiction for her movie but it's without thinking about the other members of the family, who will want to be a part of it. At the Wallach's, everything is... FULL OF LOVE !
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.
Maxine is an intern at a car workshop. She works hard toward full-time employment. The reality of the world of work grounds her in her reality: being a woman in a man's world.
The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.
Robin lives with his aunt in a small town on the Mediterranean. A strange request from his ex-girlfriend Aurélie turns his life upside down: she wants him to get her some heroin. Robin, willing to do anything to win Aurélie back, throws himself headlong into the task...
Hamza Meziani is an actor born on February 9, 1993 in Morocco. He was born into a Berber-Moroccan family and grew up, with his two sisters and five brothers, in Ichniwane, a locality of the commune of Temsamane, located between Nador and Al Hoceima in the Riffian regions. His parents are farmers. In 2000, the family moved to Corsica where he joined several support groups and ended up getting his bachelor's degree with honors. In 2012, he played one of the main roles in his first film, The Apaches by Thierry de Peretti. The film was presented at the Directors' Fortnight at the 2013 Cannes Film Festival. The following year, he joined the École du Jeu in Paris, where he followed an intensive course directed by Delphine Eliet and Nabih Amaraoui for two years. In the following years, he appeared in several short films, television productions and found himself in the headlining in Bertrand Bonello's Nocturama and Neil Beloufa's Occidental. From Wikipedia, the free encyclopedia
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