A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...
The Saburi family is a large and old family that has been exporting and importing flowers and plants for many years. They still live in peace in an old house, the arrival of a young man in this family changes the lives of the whole family.
Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.
Aban a tough, self-sufficient person, and the only woman contractor in the orange fields of northern Iran, beats out the male competitors for a big job. She becomes responsible for peaking oranges on a farm. The operation seems to get off to a rocky start but Aban won't let go without a fight. So, she asks women in the northern regions who are seasonal workers to help her.
Following protests to the presidential election in 2009, an elderly woman has one night to clear her house of any politically troublesome belongings of her family. To help her out; her deceased husband, her executed brother and two martyred and immigrated sons are back to life in their picture frames.
Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?
Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.
When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.
Mahtab is suspicious of her husband Ahmad, a university professor. As she tries to unravel the mystery instigated by Sima, a close friend of the family, by pressuring Farnoosh Kheirkhah, Ahmad's student, her husband tries to prove his innocence. But the sudden death of Farnoosh opens a new path before Ahmad, Mahtab, Sima, and her husband Mansoor.
A student filmmaker finds out her mother has been having recurrent dreams of her imminent death. Believing she is soon to die, the mother decides to both accomplish her outstanding religious duties and fulfill her children's wishes. She knows that her daughter's foremost ambition is to complete a feature film, and so hires a superstar. Eventually, while waiting for death to take her, the mother is confronted by an unexpected event.
Hedie Tehrani is a Persian actress who was born in 1972 in Tehran, Iran. The turning point of her professional work was formed with the movie "Sultan" made by Massoud Kimiaei. Her first play was in "The Red" movie by Fereydoun Jeirani, and the second one was for Asghar Farhadi's "Fireworks Wednesday" movie which she won the Best First Role Actress Award for the Fajr Festival. Also, She was nominated for Crystal Simorgh for "Esrafil" made by Aida Panahandeh and "Seven Minutes to Fall" made by Alireza Amini, for Best First Role Actress. Among the best movies that she has been featured in, "The Red" by Fereydoun Jirani, "Fireworks Wednesday" by Asghar Farhadi, "Shokran" by Behrouz Afkhami and "Unruled Paper" by Nasser Taghvaei can be named.
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