A dysfunctional gang of criminals takes a middle class Maori family hostage and discovers too late that they are cannibals.
Fish Out of Water manages to unfurl its light-hearted tale of young man and the sea, without a word of dialogue. Avoiding the morning traffic jams, our man (Nick Dunbar) finds peace by rowing each day to work in the city. But when a seductive blonde unexpectedly enters the picture, he finds his morning boat ride heading in unexpected directions. Directed by Lala Rolls (Land of My Ancestors), Fish Out of Water was invited to play in the 2005 NZ Film Festival, plus another 10 overseas fests. Victoria Kelly composes the brass and banjo-inflected soundtrack.
A multi-storyline film which follows the aftermath of a stalled movie project in Wellington. As the various members of the cast and crew resume their everyday lives, the intricacies of their relationships with one another become increasingly difficult, as their conflicting needs and desires become impossible to resolve.
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines.
In Seattle, detective Quentin Conners is unfairly suspended and his partner Jason York leaves the police force after a tragic shooting on Pearl Street Bridge, when the hostage and the criminal die. During a bank heist with a hostage situation, Conners is assigned in charge of the operation with the rookie Shane Dekker as his partner. The thieves, lead by Lorenz, apparently do not steal a penny from the bank. While chasing the gangsters, the police team disclose that they planted a virus in the system, stealing one billion dollars from the different accounts, using the principle of the Chaos Theory. Further, they find that Lorenz is killing his accomplices.
Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.
When Jo Tiegan is given an oval-shaped mirror, as a gift, by the elderly owner of an antique shop, she is amazed to see another girl's image in the mirror instead of her own reflection. It is also quite obvious that the other girl can see her just as clearly. Jo (from the 1990's) and 'the girl in the mirror', Louisa Iredale (from 1919), later accidently find that they can also travel to each other's times through the mirror - following upon which discovery a relentless sequence of events is set in motion.
James Ashcroft (born June 12, 1978) is a New Zealander actor and director.
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