In Luther's beer-cellar, lusty singing extols the virtues of beer and wine. For this evening, the Muse decides to deflect the poet Hoffmann's attention from amorous escapades, so that he will devote himself entirely to his art. Hoffmann tells of the three unhappy loves of his life: Olympia, Antonia and Giulietta.
Franco Zeffirelli passed away on 15th June 2019. Chris Hunt's biography explores how Zeffirelli's sense of drama was born out of his own experience and how his life inspired his productions. Chris Hunt interviewed him and other famous actors, friends and associates, had a camera at Zeffirelli's 94th birthday and during the opening of his foundation in Florence. This documentary, including clips from operas, films and plays aims to be the definitive portrait of a Renaissance man larger than life.
Dubbed ‘La Stupenda’ thirty years ago by an Italian critic, Dame Joan Sutherland and her husband Richard Bonynge talk at length about her distinguished singing career and their life together in opera. The film combines documentary, archival material and performance to present a unique retrospective of those years. Affectionate contributions from some of their close friends and colleagues, including Luciano Pavarotti, Marilyn Horne, Dame Kiri Te Kanawa and fellow Australian Sir Sidney Nolan, add to a celebration of Dame Joan’s singular talent.
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.
Turn of the century Paris provides the glittering setting for this light hearted tale of political and amorous intrigue amidst the gaiety of Parisian high society.. First performed in Vienna in 1905 and here performed in the English version by Christopher Hassal.
Australian Opera Chorus and Elizabethan Sydney Orchestra production of Donizetti's opera
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