An ominous help note finds its way to a 1980s post office, connecting a dead letter investigator to a kidnapped keyboard technician.
Three young gay men who are best friends, two of them married to each other, find the memories of their individual childhood traumas so painful they turn to crystal meth, “Tina”, their "painkiller." After years of using they all descend to a world that might be imaginary or real called Tina Town where residents are met immediately with two choices: stop using the drug which would allow for possible escape and a chance to continue living or use and face the wrath of the town's unofficial leader, Mr. Jones, who, upon catching a young resident, rapes and kills them. Two of the characters, Sammy and Andy who are married to each other, must mourn the loss of their friend, Ashtyn, who was recently captured. Sammy and Andy are left and faced with the two choices which they find almost impossible to make.
In 1990, near the height of the AIDS crisis in the U.S., John Fleck was attacked by the U.S. government as one of the “NEA Four,” when funding to three queer artists and a prominent straight feminist was reversed by the National Endowment for the Arts. His work was introduced on national television as “homosexual skits.” A sit-down interview with Fleck cuts between archival video of performances spanning four decades and present-day vérité footage as he rehearses and performs in New York and California for an NEA Four 20th-reunion performance.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
In a timeless city, a man with no name returns to the violent, brutal domain of assassins he left ten years before – back when they dubbed him The Mad Monk for his disregard for his own life and his intense devotion to one woman, Porphyria; a beautiful, luminescent woman; the girl he grew up with; the love of his life; the one thing he has ever wanted; the one thing he can never have.
In Korea Town Los Angeles, a young man, Kengo, believes he's the son of God - that's what his mother told him since he was a young boy. He spends his days working his dead-end job and figuring out his complex feelings for his girlfriend until, one day, he sees a one-eared man who could be his father and decides to follow him around Los Angeles.
At once wryly comedic travelogue and heartbreaking tale of love lost, THE JAPANESE SANDMAN is a visual interpretation of a letter William Burroughs' wrote to Allen Ginsberg in 1953, recounting his travels in Central America. Told through Burroughs' wickedly incisive voice, cocaine snorting in Panama and post-prom hand-jobs in 1931 St. Louis become a meditation on loss, memory and the human condition.
Carnivàle is an American television series set in the United States during the Great Depression and Dust Bowl. In tracing the lives of two disparate groups of people, its overarching story depicts the battle between good and evil and the struggle between free will and destiny; the storyline mixes Christian theology with gnosticism and Masonic lore, particularly that of the Knights Templar.
The film is a five-part projection-based installation, which addresses the complexity of human existence through the themes of individuality, society, death and rebirth. Each video is projected directly onto the wall of the exhibition space, just as paint from a fresco adheres to the surface of a plaster wall.
The fourth video in the five-part digital-image cycle project "Going Forth By Day" (2002), "The Voyage" features an elderly man who is dying, surrounded by his family, as a boat below filled with his possessions awaits him.
John Fleck was born on May 7, 1951. He is an actor, known for Waterworld (1995), Falling Down (1993) and The Naked Gun 2½: The Smell of Fear (1991).
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