Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.
A film that Jon Jost dedicated to his daughter Clara, an artistically designed home movie and at the same time a look back at his life, mostly commented off-screen by Jon Jost. He used the technology of the digital camera which contrasts nicely with his newly discovered love for watercolor painting.
Empire Prairie, where Lonnie Enright grew up. He's headed home now, to see his ailing father and little brother. Bad things are coming.
Teenage London is trying to find meaning in the world, or a leather jacket of her own. Unaccepted by neither the Mods or the Asian biker gang, she tries to find her own path. Meanwhile, the two gangs maintain a mutual vendetta sure to erupt in a smorgasbord of violence.
This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.
Jon Stephen Jost (born 16 May 1943 in Chicago) is an American independent filmmaker. Born in Chicago to a military family, he grew up in Georgia, Kansas, Japan, Italy, Germany and Virginia. He began making films in January 1963 after being expelled from college. In 1965 he was imprisoned by US authorities for 2 years 3 months for refusal to cooperate with the Selective Service system. Self-taught as a filmmaker, he made his first full-length film in 1974, and has since that time focused on a wide range of American issues in his films, at present having made 40 long-form films. Jost's work has shown since 1976 in major film festivals around the world.
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