For the first time in decades, an exile arrives in Palestine and enters his family home. His mission is to recollect and liquidate remnants of the past. His expedition across the present connects him with places, people, and Palestinian plains. The plot thickens when his encounters lead him to a confrontation with Abu Bassam, a steward of the land, who reminds him that Palestine always remembers its people and keeps their roots alive. The exile’s mission transforms from liquidation to reincarnation, leading to a new state of permanence.
When their father passes away leaving a large sum of money in the bank, two sisters put their differences aside and join forces against Sharia law, according to which their brother has the right to take double what they are entitled to.
Ibrahim lives in a world of his imagination; however, when he finds himself in a difficult situation, he decides to change his life with the help of his young neighbor, Ali.
House of Gods follows the lives of an ambitious Iraqi Australian family grappling with newfound power and privilege when their charismatic patriarch is elected head cleric of their local mosque.
Mohammed, a young Palestinian, is desperately looking for a taxi to take him through an Israeli checkpoint. The driver, Farouk, discovers that Mohammed has already failed to cross the checkpoint. Trouble begins.
Family man Joe Petrus is living the American dream with his fiancé and step-kids. However, unbeknownst to them, Joe was involved in a mysterious crime three years ago and now his dangerous past is about to catch up with him. When a killer starts targeting the crew behind the crime, Joe realizes it's only a matter of time before his family is targeted. He returns to London to track down his old gang and find out who is coming after them.
Maha, 12, is part of the last generation of Palestinian refugees from the Balata camp. Following a faintness from her blind grandfather, she imagines a crazy project: to make him believe that the wall of separation has fallen and that a return to his native land is possible.
After his recovery, middle-aged Hamza has continued a practice he began 20 years ago when he was freed from an Israeli prison: he goes into the woods every day to chase the lion that the locals don’t think exists. Hamza struggles to reach a peaceful place. Despite his wife’s pleadings and the villagers’ contempt, Hamza sits his baits and traps in the forest, hoping to defeat the mysterious threat. He finds refuge in his journey from social rejection and denial. In the woods, Hamza is free to act according to his beliefs, fighting his own battle to heal an open wound – the trauma of losing his childhood friend, and the horrific memories of torture and guilt.
Upon starting his post as a hotel receptionist, Gamal hears the rumors about the mysterious Room 207 and finds himself obsessed with discovering the truth.
A woman's visit to a hair salon turns into a nightmare when she is blackmailed by its owner.
Kamel El Basha is a Palestinian actor of screen and stage, theater director, play-writer and producer. He began his career as a stage actor during the 1980s. He gained critical acclaim in 2017 when he won the Volpi Cup for Best Actor (male) during the 74th Venice International Film Festival for his role as Yasser Abdallah Salameh in The Insult by the Lebanese film director Ziad Doueiri. It was El Basha's first major role on screen, although he had appeared in a number of theatrical productions, actually also directing some of them. He is the former artistic director of the Palestinian National Theater in Jerusalem from 2007 to 2011 and the artistic director of Quds Art since 2012.
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