Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.
Everything goes to hell for newly-pregnant Belinda after her mother-in-law moves in. As the diabolical guest tries to get her claws on the child, Belinda must draw the line somewhere.
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
In a not-so-distant future, couples can share pregnancy on a more equal footing via detachable artificial wombs. While botanist Alvy has doubts about this new way of birthing babies, his love for Rachel prompts him to take a leap of faith.
A young man, of Romani descent, returns to his hometown of Gloucester. He is met by local garage mechanic, Dunleavy. They embrace, smiling. But what past does the young man carry with him? What awaits him back amongst people he doesn't really understand and who don't understand him? And what lurks in the forest, watching, silent, old as the trees?
Based on Nobel Prize winning author Olga Tokarczuk’s novel of the same name, Drive Your Plow over the Bones of the Dead is a new work for theatre conceived and directed by Simon McBurney. Tokarczuk’s controversial, violent, genre defying novel – part thriller, part comedy, and part blistering poetic manifesto for the rights of animals and the environment – caused an uproar in its native Poland upon publication.
Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
In this partial adaptation of poet Karthika Naïr’s award-winning book Until the Lions: Echoes from the Mahabharata, an original reworking of the epic Mahabharata, Akram Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge.
With hindsight, we can see exactly how wrong the labels given to Samuel Beckett have been, since it has been said that his writing was sad, negative and desperate. Nowadays, it can be said that several of his pieces submerge us in the reality of human existence, but with an element of humor - and it is this humor that has saved us. Beckett rejects every theory, every core belief, looking for the truth. He observes people amid the darkness and takes them into what is vast and unknown about life, so they can discover their truth by taking a look at themselves and others. Like Beckett, we share their uncertainty, their search, their pain. This theatrical reflection by the masters of European theater, Peter Brook and Marie-Hélène Estienne, incorporates parts of Fragments, a piece premiered in 2008 and filmed in 2015 and which contains the short plays Rough For Theater I, Rockaby, Act Without Words II and Neither.
The Queen of Selvascura risks everything to be a mother; the King of Roccaforte falls in love with the voice of a mysterious girl; the King of Altomonte becomes obsessed with a flea and neglects his daughter.
Aikaterini Hadjipateras (Greek: Αικατερίνη Χατζηπατέρας; born 9 April 1957), known professionally as Kathryn Hunter, is an American-born British actress and theatre director. An associate at the Royal Academy of Dramatic Art in London, in film and television she is known for her roles as Arabella Figg in Harry Potter and the Order of the Phoenix (2007), Eedy Karn in the Disney+ Star Wars series Andor (2022-present), and the Three Witches in The Tragedy of Macbeth (2021).
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