Mário and Cláudia are going through a divorce process. When Cláudia accepts job in another country, situation will lead parents to reassess many of their certainties and question the effects on the happiness of their children.
Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.
The story of a girl created by the gypsy community but who in fact is heiress of a great empire. The woman who robbed her in the past now sees her future threatened. The return of the Heiress unleashes struggles of power and affections and a love to withstand anything.
Daniel had a plan, a sort of journal of the future, written in a notebook. Sometimes he went back to rectify small things, but still, life seemed pretty easy and happiness too. But, all of a sudden, everything changed for the worse: Portugal collapsed and Daniel lost his job. He couldn't afford to pay the mortgage for his house any more. His wife, also unemployed, left with his children, searching for better opportunities.
In Lisbon 1950, John, 13, decides to invade the neighborhood of prostitutes, nobility and sailors, starting a new stage in his life. Today this neighborhood is reflected in a scattered public debate centered on its night life.
This is the look that the film about Eduardo Gageiro takes. A film that departs from the stories of two images and that moves on crossing them with the ones that come out of the construction of his latest book. A film that shows how the deep Portuguese look of this photographer has seen the transformations of his country and of the world in the last 60 years. A look that has imagined what the photographer has seen and shot: the kiss of Maria to Salazar’s dead body in 1970, the kidnapping of the Israeli during the 1972 Olympic Games, the turning-point in the 74 revolution and the seductive revelations of the portraits from 1995.
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