Many years after leaving the small town behind, Joel returns to move his mother Monika, a home for the elderly struggling with dementia. However, Monika’s health takes a turn for the worse soon after her arrival. She experiences terrifying visions of her late husband, Joel’s abusive father, and begins exhibiting violent behavior. Joel begins to believe that something malevolent and supernatural has taken control of his mother. But with his own history of substance abuse and mental instability, can he trust his own perceptions? As Monika’s memories fade, Joel must confront the demons of his own past, dredged up by his return to the home where he grew up.
When the owners of the boatyard are going to divorce, they can not decide who will get it. They agree to make the division of property through a competition on the Göta Canal, where the winner gets the boatyard.
A bank robber holds the visitors of an open house hostage and then promptly vanishes, leaving the police baffled — and suspicious of everyone.
A twisted and exciting meeting between Lasse Åberg and Stig-Helmer.
Moa is seven years old and lives with her mother and her hamster. When her mother gets a new boyfriend Moa starts fantasising about her father's life in Africa.
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
Gunhild "Lottie" Ejebrant is a Swedish stage and screen actress. She made her film debut in Gunnar Hellström's "Chans/Just Once More" (1962).
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