Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.
Two actresses in their forties meet at a casting. Since they are both struggling to get jobs they decide to team up and make their own thing. But it's uphill, and they're certainly over the hill, in the eyes of the industry. Despite their differences, the two women become friends.
When Prussia and Austria declare war on Denmark, two brothers are called to serve in the bloodiest battle in Denmark's history.
Max has finished school and is becoming an adult. He is on his way to find a life outside his mother's overprotective wings. When he meets Kaya, she gives him the final push to become independent and finally to move out. He moves over to his father but ends up as a lodger at the neighbour Steen Kold. Max would like to go to the Roskilde Festival with Kaya and gets help with the tickets from Steen Kold who is also coming along. Mom is afraid of what will happen to Max, so she decides to follow him and Steen Kold. This leads to many poignant and incredibly embarrassing episodes deeply rooted in her great love for her son, but also in her desire to still be in the centre of his attention.
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