In the immediate post-war period, amidst the rubble of a poverty-ridden Naples, two kids, Carmine and Celestina, try to survive as best they can by helping each other out. One night, they secretly board a ship bound for New York to reach Celestina’s sister, who emigrated to America several years earlier. The two children join the many Italian emigrants seeking a new life in America and arrive in an unknown metropolis, which, after several misadventures, they will learn to call home.
An entertaining, somewhat madcap, unbiased exploration into a variety of interpersonal relationships which are wavering in the face of changing societal mores and diverse and challenging sexual preference choices.
Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.
In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.
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