23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
While hunting for a dating-site predator, an underused cop discovers a husband and wife with a horrific secret — and a web of conspiracy hiding it.
The film tells the story of a man who was born in 1959 and died in 2070, told by people who knew him and somehow contributed to his trajectory.
Diego is a film director who, when he is told that he has a malignant disease which could be fatal, marries his girlfriend of many years, says goodbye to his friends and begins a routine of long days of treatment in hospital. While learning to live with the pain and also conversing with death, he meets a Hindu boy who is a fellow patient and who becomes his friend. But one day the boy disappears. Diego is discharged, but his life has changed forever. His marriage fails and, living alone, he begins to wonder whether he may in fact be dying and no one has told him. He tries to find out what happened to his Hindu friend, and eventually meets another woman.
Naïve and provocative Gabriela is a raggedy migrant worker who arrives in town to mesmerize all with her playful and simple, yet raw sensuality. Set in 1925, the story unravels in Ilhéus, a quiet northeastern coastal city thriving with cocoa crops and aspirations for progress, even though the traditional ways still rule.
An ambitious young woman with a traumatizing past targets an Italian man, the distant son of a wealthy Brazilian family.
Maitê Proença Gallo (São Paulo, January 28, 1958) is a Brazilian actress, presenter and writer. Proença has worked on Brazilian telenovelas, films and plays. Her role in the telenovela Dona Beija was her first major TV success in Brazil, Portugal and some 50 other countries where it was shown. Proença has written two books. Her first book, Entre ossos e a escrita, published in 2005, contained the best of her essays. The second book, Uma Vida Inventada, sold 100,000 copies in Brazil and was exported to Portugal. She has also written two plays one of which, As Meninas, won her several prizes. She has a column in the Brazilian magazine Época. Proença has been a TV host for Video Show (1983), Programa de Domingo (1987) and Saia Justa (2006/2007). In 2006, Proença wrote her first theater play, Achadas e Perdidas. In 2002, she made her debut as a theater producer with the play Buda. In 2009, due to controversial remarks on the Brazilian TV show Saia Justa, Proença prompted public outrage in Portugal and was accused of being Lusophobic, though she has since affirmed numerous times her love for Portugal. She has since denied the accusation and recorded several apologies, as well as issuing one on her official blog. Proença emphasized that despite the misunderstanding, she is of recent Portuguese ancestry and likes Portugal and the Portuguese. For about a week, the affair was discussed or reported on several Portuguese television networks and major newspapers.
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