The film "Meeting the Wizard" is the story of two gentlemen, one is naive and the other is clever, and tries to increase his wealth with big deals, while the simpler gentleman fantasizes about his life.
A man loses the ability to cry after the death of his younger brother. As he deals with grief and the separation from his wife, he tries to reconcile his job at a football website with depression and a lack of meaning in life.
Amir, recently released from prison in France, finds himself back in Iran and in over his head when his father, a slaughterhouse worker, calls him to help him cover up a crime which has happened there.
Some people are amphibians; half spirit and half animal - as spirits they belong to the eternal world, but as animals they inhabit time. If they don't sneak underwater, they'll get squashed.
Two people find themselves in the middle of a murder plot. One can't hear and the other one can't see.
The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...
In 1967, an old prisoner in southern Iran is being evacuated because of the proximity to the city's new airport. The head of the prison, Major Nemat Jahed, and his agents are busy transferring prisoners to the new prison, until ...
Ghodrat Samadi wants to become a member of parliament, but he has a reputation for recklessness and taking arbitrary action. Deciding his best course of action is negotiating with assorted parties and politicians, none take him seriously until he's connected to a single, notorious incident.
Me is written and directed by Soheil Beiraghi and produced by Saeed Sa’adi and Saeed Khani. The film is about Azar (Leila Hatami), a woman who acts as a middle-man for those seeking illicit goods. According to Beiraghi: “I didn’t want to portray an ordinary woman, but the one who is living a double life. She is a rebellious woman who rebels against the law and individuals.” Me was officially selected in the Certain Regard section at the 34th Fajr International Film Festival.
On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?
Mani Haghighi (b.1969, Tehran) studied philosophy at McGill University, Montreal before returning to Iran to make films. His first feature, Abadan (2003) premiered at the Tribeca Film Festival. His screenplay for Asghar Farhadi’s Fireworks Wednesday (2006, co-written with the director) won the Special Jury Prize at the Three Continents Festival, Nantes. His second feature film, Men at Work (Berlinale, Forum 2006) won the Best Screenplay Prize at the 2007 Asian Film Awards (Hong Kong) and the Best Screenplay Prize in the international section of the Fajr Film Festival (Tehran). Canaan (2008), based on a short story by Alice Munro, was followed by two documentary films on the works of the acclaimed Iranian director, Dariush Mehrjui: Hamoon’s Fans (2007), about the curious lives of six Iranians who are devoted fans of Mehrjui’s 1989 film, “Hamoon”, and Dariush Mehrjui: The Forty Year Report (2012), a feature length documentary about Mehrjui’s life and works. His fourth feature film, Modest Reception (Berlinale, Forum 2012), received the NETPAC Award at the Berlin Film Festival, the Free Spirit Award at the Warsaw Film Festival, the Best Actor and Best Actress prizes at the OSIAN’s Cinefan Festival in New Delhi as well as a few other international prizes. Haghighi has also acted in several films, including Asghar Farhadi’s About Elly (Berlinale, competition 2009) and Nima Javidi’s Melbourne (2014), as well as his own film, Modest Reception.
By browsing this website, you accept our cookies policy.