The idealistic Lærke is put to the test when she drags her boyfriend and child to her parents' St. Hans Eve party, because what should have been a cosy family moment soon turns into a psychological power struggle between two generations. When Lærke ends up being brought down by her own principles, she throws herself into a last childish attempt to take back control.
Anna and Thomas are missing something: love. They will follow their encounter through confusing crushes and lack of commitment, but can love survive when you don't want to compromise your own dreams for your partner?
A whistle blower attempts to reveal the secret behind a nuclear disaster that occurred during the height of the Cold War.
Anne has given up trying to find a man who will fit into her sensible and controlled life. Therefore she has chosen to become pregnant with an anonymous sperm donor who has been carefully chosen. But as her hormones get the better of her she realizes that the child may come to resemble the father and possibly get his less flattering characteristics. Anne feels compelled to find the sperm donor and ensure that he is as perfect as she imagines.
In 1943, where everything was prohibited, and the Nazi grip on the Danish population tightened, more and more growing resistance to the occupation quite naturally in the Danish population. In Aarhus break 2 young men, Holger Mikkelsen (Ole Lemmeke) and Leo (Per Morberg) into a company who sympathize with the Germans, and burn repairer. It had been a close thing, but when, however, to reach safety before occupying forces emerge.
Franco lives in a rough part of Copenhagen. His hooker mother has little time for him. Franco drifts into a life of crime, repeatedly confronting the authorities. To give him a new start, he’s placed in a foster home far away from Copenhagen. His new family greets him with warm hospitality. There’s also the beautiful countryside and, last but not least, the teen-aged daughter
Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.
Michael Moritzen er søn af skuespilleren Henning Moritzen og kassererske Betty Moritzen, f. Krohn. Han blev uddannet som instruktør på Statens Teaterskole i 1978 og uddannet som skuespiller på Skuespillerskolen ved Århus Teater i 1981. Han var tilknyttet Aarhus Teater i sæsonen 1981-82 men blev derefter free lance. Han har bl.a. spillet Børge i "Dansen med Regitze" og en større rolle som modstandsgruppelederen i "De nøgne træer". På teatret har han bl.a. haft titelroller i "Don Ranudo" på Grønnegårds Teatret i 1989, i "Erasmus Montanus" og som admiralen i "Pinafore" på Det Danske Teater i 1998. Michael Moritzen var 1999-2000 leder af skuespillinjen på Statens Teaterskole og i 2001 blev han chef for Folketeatret / Hippodromen, hvor han uden større held forsøgte sig med en vis fornyelse af repertoiret.
By browsing this website, you accept our cookies policy.