Ana Margarida Rosa Lobo, a 70-year-old actress at the end of her career, discovers she has Alzheimer's and without explaining to anyone, she decides to end her five-decade marriage with Sérgio and move to another house to enjoy her lucidity while she can. This decision causes an upheaval in the professional and personal lives of her four daughters. Faced with this situation, the family will be tested to the limit and the four women change their way of looking at life, questioning their love relationships that they have also built.
Pedro is an enigmatic man with only one goal: to get Clara back, his first and only love. However, this meeting is almost impossible. Above all, because she is engaged to his brother Lourenço, the man who Pedro will save. And what will Lourenço do when he realizes that his savior may, after all, steal everything from him?
Germán is Argentine by birth, but has lived in Spain for thirty years with his wife Rosa and his daughter Lucía. On the day of the young woman's birthday, he receives a phone call that will force him to confront his past in a violent way. This Argentine exile then has to deal with the terrible experiences he experienced during the Argentine dictatorship while overcoming his current family problems.
A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.
Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.
Thirty-five Portuguese dancers undress in front of the camera. They become the object of desire with a sensual provocative performance. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude. This is a statement about the current financial situation in Portugal and the lack of fundings to support artistic initiatives.
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