Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.
Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially and she begins to lose her mental balance due to the traumas of her childhood.
Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.
The film tells the story of an old husband Hüsrev and Melek, who was first a servant and then his wife. With this marriage Hüsrev’s subconscious hidden passions are revealed.
A frigid young housewife cannot reconcile her sado-masochistic imagination with her daily life with her submissive husband. While he is at work, she starts working in the afternoons at a local, first-class brothel.
The story of a provincial woman named Vasfiye, whose life passed changing hands and drifting between men in Aegean towns, is told by different narrators. The story changes every time the narrator changes. However, it is not known which story is the truth.
Suna, who attracts attention with her beauty and personality, goes on vacation with her friend Ayla, who has severed her ties with romantic relationships. This vacation brings out their sexual desires and drags them into an unwanted predicament.
Müjde Ar (born 21 June 1954) is a Turkish actress. in the 1980s, she became an unforgettable actress of women's films that liberated women's identity in cinema with the films she starred in, and brought a different perspective to women's sexuality; she ensured that the representation of women in Turkish cinema changed.
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