Sevgi Ersoy, a famous TV presenter whose career is on the decline, suddenly marries Fikret Alabey, one of the country's leading businessmen. This unexpected marriage shocks everyone. Both Sevgi and Fikret have had unhappy marriages in the past. They now want to live out their second chances, but it won't be easy. Their marriage means their very different families will come together. The cohabitation of these two very different families under one roof will create bigger problems than Sevgi and Fikret anticipated, changing the lives of all family members, especially their children, Taylan and Şelale, who are forced to live in adjacent rooms.
This story is the difficult journey of Inci and Uygar who forbid love to themselves for different reasons. As human beings run away from their greatest need, they become coldhearted, cruel, and even distant from themselves.
Alina Boz gives life to a babysitter named "Zeynep". Zeynep, who grew up facing many challenges, partly due to her useless father, will face the biggest test when she stumbles upon a bag of cash
Doctor Kemal is head of a private hospital, is ambitious and has the best intentions for the residents of Istanbul. He is the best candidate for mayor of the Beyoglu district – in his opinion. An opinion not shared by his sceptical ex-wife; nor by the voters who come to eat and drink at his expense; nor the party leader, who even after several meetings still thinks he's an architect rather than a doctor; not even his faithful chauffeur. The slogan 'the doctor has the cure' might be catchy, but the doctor has little clue how sick the climate of political nepotism really is.
Being the daughter of a prostitute mother, Akca gives up her motherhood in order to give her child a better future. The bride of a wealthy family, Sule promises to be a mother to Akca's baby for a lifetime. She looks at the baby she named Efe and raises him. Things change with the birth of Sule's own child.
Two men unite against a criminal conspiracy, pursuing a dark past of notebooks, cases, and lies. They face the mafia, money, intrigue, and the terrifying Halka.
Losing his father at a very young age, Bekir lives with his mother Rabia and grandfather İlyas, who jointly run a haberdashery store. When İlyas passes away, to spare him grief young Bekir is told that “his beloved grandfather has gone to the moon and become Grandpa Moon.”
The struggle of a mother who tries to understand her son by putting herself in his shoes after his death.
A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.
Nazan Kesal (née Kırılmış; born 28 March 1969) is a Turkish stage and screen actress. In 2004, she worked as a director and actor in Diyarbakır State Theater. The artist who was appointed to Bursa State Theater in early 2004, also worked in private groups such as Ankara Sanatevi Theater, Theater Mirror, Theater Istanbul, Diyarbakir Art Center.
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