A young girl in 1990s Iceland is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in metal and dreams of making her own music.
After Lára, 13, loses both her father and brother in an accident, she discovers that her father used to be a member of a theatre group at a local theatre. In order to keep his memory alive, she joins the company. The company consists of eccentric and playful elders who introduce Lára to the magic of theatre and the importance of play. While Lára struggles to piece together the fractured life she now shares with her mother, she decides to help the company in their attempt to save the theatre with a big hit play. But evil and corrupt forces want it gone forever.
Páll thinks he is just like everyone else, that is until he begins to have vivid visions about life after death. At first he has a open mind about them, but discovers through them an evil plot. The visions show him a spree of killing of important people within society. A panic ensues, and Páll gets tangled in a plot with powerful people and a cult that could destroy society.
Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.
Ragnar, straight out of hospital, orders a taxi-driver around Reykjavik in order to find a three layered chocolate box. He wants to repay a nurse for her good service at the hospital. After each unsuccessful stop at various grocery stores, his daughter, Hrönn, gets increasingly agitated in the back seat of the cab. Tension between father and daughter build to a peak, and it becomes crucial for Hrönn to confront her father for the first time in her life.
Some people have to live their lives on a constant look out for snakes. Some even have to wear boots all the time. But people in Iceland have the privilege of just wearing whatever shoes they want – without any worries.
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