Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.
Tadeusz Boy-Żeleński, Witkacy, Joseph Conrad and Bronisław Malinowski, four leading figures among the Zakopane bohemians, wake up after an all-night drunken party. Their hangover headaches are killing them, none of them remembers anything, and finding the corpse of a male stranger on the floor doesn’t help.
Daniel is respected by his village community as long as he bravely supports the fight for their affairs. He is in love with the boy next door, Olek, who is not ready to reveal his sexual identity. Their relationship develops in secret. When a teenage friend can no longer take homophobic attacks and commits a suicide, Daniel tries to convince the villagers to organise a service of the Stations of the Cross together for the intention of the victim.
When their latest heist goes wrong, three older female burglars evade officials by hiding out in a nursing home — where they uncover a sinister secret.
In 1983, communist Poland is shaken by the case of high school student Grzegorz Przemyk, who is beaten to death by police. The only witness of the beating becomes the number one enemy of the state.
Metaphysical thriller, which takes place in a retro-futuristic world. His characters get caught up in an intricate, dark intrigue in which nothing is as it seems, and a series of dramatic events leads to a completely surprising final.
A reporter, Alicja Tabor, after many years returns to her hometown of Wałbrzych to write a report about kidnapped children and also to face her own dark family history.
Picture of most likely our greatest enemy but motivation as well - ego. Lonely, lost and confused, destructed and abused. How much we really know ourselves? How indeed we are capable to keep our love clear?
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