Father Javier lives a fractured existence: on one side, he helps families who've witnessed miracles, and on the other he belongs to a trio of excommunicated priests who hunt the possessed down to exorcise them under their own terms: with Bibles, fire and shotguns.
Helena and Kira argue on the side of the road. There is no destination in mind, there is no plan to follow. The journey unfolds kilometer by kilometer, a journey that soon becomes a ritual.
In 1927, with a broken heart as luggage, the young poet Norah Lange voyages on a Norwegian freighter from Buenos Aires to Oslo as the only female passenger. The film reimagines in a poetic way the trip and the power struggles Norah is forced to negotiate with the crew, as the crossing of the ocean leaves an indelible mark on Norah’s life and career.
Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.
Three friends invite three girls to a Mexican-themed party hoping to spend an unforgettable night. It ends up being just that: not only for the right reasons, but also for some bad news over the phone and finally, a betrayal.
The film tells the life of Tito Pereyra since his childhood in a town of Tucuman (with an absent father) until the 1980 s in Buenos Aires, when democracy was restored. During that period he makes decisions that will change his life forever.It shows a human being with both bright and dark aspects, whose contrasts seem to determine his destiny.
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