Mamoru Miyamoto is a book editor and his friend Masao Muraoka is a writer. Muraoka hasn't released a novel since "Aki no Riyuu." Masao has suffered from mental health issues and, because of this, his voice fails. The two men talk through written notes. It seems Mamoru believes in Masao’s talent as a writer and waits for him to write a new novel, but he also likes Masao's wife Misaki. One day, Miku, who has read Masao’s last novel “Aki no Riyuu” several times, appears in front of him. She tells him that she is so similar to the heroine of the novel and can understand his mind.
A “Cinéma, de notre temps” series episode directed by french filmmaker Philippe-Emmanuel Sorlin, originally aired 16 June 2015.
Documentary on one of the most famous branches of Japanese filmmaking, the erotic Pink film genre, known as Pinku Eiga, and the closely related Roman Porno cult films series produced by notorious Nikkatsu studios from 1971 to 1988.
Haru works at a part-time job for a bookstore. Her dream is to become an illustrator and she also loves cats. One day, after a cat named Chibutomu disappears from the bookstore Haru canvasses the neighbourhood in search of Chibutomu.
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
A young man is unable to have relations with the girls he likes. A pimp meets him after having a strange experience and they are althogether on a bizarre ride through a gloomy and disconnected Tokyo.
Set in a metropolis in the 21st century, this unique erotic drama depicts youth colored by sex, drugs, and violence with a touch of science fiction.
Takahisa Zeze (瀬々敬久 Zeze Takahisa, born in 1960) is a Japanese film director and screenwriter best known for his pink films of the 1990s. Along with fellow directors, Kazuhiro Sano, Toshiki Satō and Hisayasu Sato, he is known as one of the "Four Heavenly Kings of Pink".
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