Paris, in a bourgeois apartment, Lumina, an ageless Vietnamese woman, dreams of another life.
Mây, a fourteen year-old girl is being married as the third wife to a rich landowner in the late 19th century Northern Vietnam. A black & white version of The Third Wife with no dialogue and new music.
Though only 14 years old, May is selected to be the third wife of a wealthy landowner. Her new home seems idyllic, her husband favours her, and she quickly becomes pregnant with what she is certain will be the desired male progeny. But trouble is quietly brewing: she witnesses a forbidden tryst that will spark a chain reaction of misfortunes — and stir in May urges that until now had been dormant.
Valentine marries at the end of the 19th century, and love passes through her family from generation to generation.
Three teachers journey to the jungle highlands to teach local children. As they adjust to a new lifestyle, they begin to learn new things and connect with the village.
Is the tale of a man and a woman, both boat people, who meet in a transit refugee camp in Indonesia. Years later, they live in Paris, married with a child. One day, the husband discovers that his wife happens to be his younger sister.
The cinematic tale recounts the story of a woman whose husband has left for war. When night comes, she pretends to her child that the shadow projected on a sheet is his father. When the father returns, two years later, the child rejects him, telling him that his father only returns at night.
Tran Nu Yen Khe (born 1968) is a Vietnamese actress married to director Tran Anh Hung. She has been in all his films thus far, with the exception of Norwegian Wood. She has alleged that, "French people only offer me stereotypical roles of Asian women men fantasize about."
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