Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. He arrives in Recife during carnival week, hoping to reunite with his son but soon realizes that the city is far from being the non violent refuge he seeks.
Albert Oehlen steps behind the camera to present a portrait of himself, in life and at work, albeit substituted by actor and similarly brazen iconoclast Udo Kier, with musician Kim Gordon as his inner self, interviewer and judge.
Udo Kier was a demon, Frankenstein, murderer, lover and six times Adolf Hitler. He has starred in art films, indie classics and blockbusters. Cult directors, superstars and audiences worldwide have fallen for the Cologne native's aura and have given him an incredible career - in Europe and in Hollywood. Now the atypical international star turns 80.
Haunted by a malevolent spirit since childhood, a desperate mother allows herself to become possessed in order to save the life of her terminally ill daughter.
Get an exclusive behind-the-scenes look at the creative challenges Lars von Trier presents his cast and crew to bring his vision to life from script to shoot and to the screen at home.
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
Udo Kier dies his way through film history. He screams, falls, lies, is cut into pieces, shot or commits suicide. Again and again his empty gaze, again and again his rigid body. In 54 years as an actor, Udo Kier played in more than 170 feature films, 120 series episodes and 50 short films. More than 70 times Udo Kier tried to give an expression to dying and death. In Staging Death, these representations of death merge into a montage of the most diverse shots, film formats, special effects and sound designs. "Directors are now thinking increasingly strained about what new ways they can kill me. […] At some point, somebody would have to make a montage of all my film deaths." Udo Kier (Interview Subway Magazine #145, December 1999)
A detective film by Jürgen Heiter: Women and their children who disappeared without a trace in a mountain near Rome are missing. The case remains unsolved and therefore becomes a myth and the film sets out to discover what this and a myth actually is, namely an expression of past history in time and space. We see like in a very old play the appearance of the actors playing the myth, who become more and more intensely mythical themselves. They speak up and yet suffer, they are just playing and yet they are guilty. The narrator, the choir, the revenge, the madness, the love, the death. This is what Blue is made of!
Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street.
Udo Kierspe (born October 14, 1944), known professionally as Udo Kier, is a German actor. Known primarily as a character actor, Kier has appeared in more than 220 films in both leading and supporting roles throughout Europe, Canada and the Americas. He has collaborated with acclaimed filmmakers such as Lars von Trier, Gus van Sant, Werner Herzog, Walerian Borowczyk, Kleber Mendonça Filho, Dario Argento, Charles Matton, Guy Maddin, Alexander Payne, and Paul Morrissey. Description above from the Wikipedia article Udo Kier, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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