A young woman is searching for her roots and discovers an idiosyncratic, radical sensuality that not only transgresses Mongolian conventions but also those of the supposedly more liberal West.
Small-time crook Atris is tired of working for Berlin crime lord El Keitar. Yet in order to build his own syndicate, he needs money. When his friend Frank offers him a lucrative deal, Atris thinks his chance has finally come, not knowing that he is about to set in motion a fateful chain of events.
Hedi is the new neighbor of Iva, who raises her daughter Sofia by herself. The two women start a relationship and Iva is desperately in love with Hedi. Suddenly Iva's father appears. Hedi feels strongly attracted to him. It seems that only one world exists for Hedi. Her own.
The violinist, Irmgard Hitzig, is 89 and can’t sit up straight in her armchair any more. Nonetheless her passion for music is fierce and she approaches her work as a music teacher with an unrelenting vigour. Uisenma Borchu’s depiction of this very special woman emerges from their dialogue and interaction. This is not a classic portrait, rather the record of an encounter.
Uisenma Borchu is a German-Mongolian film director, writer and actress. She's a graduate in Directing from the Hochschule für Fernsehen und Film München, Bavaria, Germany.
By browsing this website, you accept our cookies policy.