Merchant Samson Silych Bolshov borrowed a large sum of money. And, not wanting to return it, declared bankruptcy. He transferred all his property to the name of the clerk Lazar Podkhalyuzin, for whom - for his own peace of mind - he marries his daughter Lipochka. But Podkhalyuzin has a secret plan...
Beginning with perestroika and reaching its peak after the demise of the Soviet Union, pessimistic youth sub-culture films abounded in Russia and the former republics. Anguely V Rayou is another example of these "youth without future" films. Based on the novel Two Notebooks by Piotr Kojevnikov, the action takes place in the Leningrad of 1975, when the "stagnation" era is at its peak. Two teenagers, Micha and Galia, are experiencing a slow death in the slums of the city. Galia's aunt is going crazy in her desperation. Micha's mother is killed by a drunk. One of their friends has committed suicide. These kids are typical of a generation wasted by alcohol and misfortune. Some are bound to become outcasts, some will be destroyed, and others will be sacrificed in Afghanistan. The title is ironic, as there is neither paradise nor angels in this story.
A man, a local hooligan and alcoholic, is killed in a gloomy St. Petersburg communal apartment. Each of the residents hated him in their own way, and each had their own motive for the crime. But everyone has an ironclad alibi. A local disabled person undertakes to help the investigator...
Thirties. Arriving from a provincial town in Moscow, Leka Khrapova did not enroll in law school, as her mother wanted, but entered acting. During her studies, she became interested in the “stargazer” and the sensualist from the observatory, but married a silent and reliable documentary cameraman. Leka left her husband twice and, burned by her mistakes, returned. But one day she didn’t return...
Murad Rasulov, a simple 16-year-old Azerbaijani, raised in Tbilisi, and a passionate fan of football, falls in love for the first time in his life with Anya, a Belarusian girl who is studying at the same institute in Baku, two years older than him. The difference in age and the conflict of cultures becomes an obstacle in the way of a young man whom no one helps, in a hopeless, desperate struggle for love.
A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.
A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.
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