It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.
Four strangers — a flight attendant escaping a suburban cult, an Afghan refugee fleeing persecution, a young Australian father escaping a dead-end job, and a bureaucrat caught up in a national scandal — are stuck in an immigration detention center in the Australian desert. Inspired by true events.
The dock comptroller ruminates on his home and his lot in life.
It takes a fair bit of casual chat for Elle to realize she is able to rant about life's connected events and the lines that link us all. Luckily, Guy is a good listener, specially when charmed by a pretty girl with a talent for intriguing randomness. As to the bond that brings the two of them together... well, that's another story.
Short film focusing on an adolescent girl suffering from agoraphobia. The character spends most of her time indoors, isolating herself from the outside world. The film follows the character in an apparent state of hypnagogia. In this deep, relaxed state of consciousness she finds herself unable to distinguish her dreams from reality. This is mirrored in the editing between digital and hi-8 video footage and two differ- ent compositions made from ambient sound recordings. On the threshold of sleep the character appears to temporarily escape from her condition and explore the outside world. Watch Here: https://vimeo.com/43363224
Described as being based on a play by Talaya Delaney, Kevin Jerome Everson' silent HOUSE IN THE NORTH COUNTRY is not your typical stage adaptation. For one, it is unclear where the rehearsal ends and the performance begins. Everson's close-ups offer a distinctly cinematic rendering of theatrical blocking, with the actors' repeated movements (a soldier’s salute, a woman's carrying a lit torch) taking on heightened significance. The plot remains obscure but Everson conjures a psychological intensity comparable to Maya Deren's studies for camera. - Max Goldberg
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